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Dustin: So I understand that this novel took you nine years to write. Can you explain your process of writing the novel over those nine years?

Xu Xi: Okay nine years is sort of deceptive. What happened in those nine years was I moved from New York back to Hong Kong, and to find a full time job I put out two books, three, actually, if you count the one I was editing plus some second editions of other books that came out. So all this other stuff was happening but the actual writing of the book took a little longer than nine years. I hit a point about five years along where I’d thought I’d finished it, and this was in Switzerland at a writer’s residency and I was like “Yay, the book is done!” I went back to Hong Kong and I went “Oh my God, this is all wrong.”

Willie VerSteeg discusses the epigraph, formal technique, & Donald Justice

KJB: Like the epigraph that opens the piece, there is a diffusion of things seen in this poem. If the light that Justice speaks of conveys happiness, the speaker in "Porch Season” seems to diffuse the scene with a tone that is almost-sentimental ambivalence. The dusk “tumbles in”, the flower petals get stuck like “misplaced romance”, even the boy ignores the speaker. Yet, the ending carries readers to a sense of relief, which can quite easily be associated - though isn’t parallel to - happiness. Was this poem an attempt to rectify these two similar emotions with one another, or to hold a mirror up to Justice’s concept of happiness?