In a progressive move, the Vatican Library announced (3/22) its plans to digitize its collection of ancient handwritten manuscripts. The long-term goal of the project is to make 40 million pages of documents available online. Some of these texts contain important historical works in math, science, law and medicine.
Read MoreOn Tuesday, March 18th at 8 p.m., writer and Hayden’s Ferry Review contributor David James Poissant will be giving a reading at The Tavern on Mill (404 S. Mill Ave.) from his debut book, The Heaven of Animals, a collection of short stories. The Heaven of Animals will be available for purchase at the reading, courtesy of ASU Bookstores.
Poissant teaches in the MFA Creative Writing program at the University of Central Florida, and his stories and essays have appeared in The Atlantic, The Chicago Tribune, Glimmer Train, The New York Times, Playboy, and Ploughshares, among others. His work has been awarded the Matt Clark Prize, the George Garrett Fiction Award, the RopeWalk Fiction Chapbook Prize, and the Alice White Reeves Memorial Award from the National Society of Arts & Letters. His story “The Hand Model” appeared in HFR52.
Read MoreWe are now accepting entries for the 2014 Hayden’s Ferry Review
“500 for 500”
Flash-Prose Contest
Deadline: May 15th, 2014
Judge: Catherine Zobal Dent
Prizes: $500 and Publication
Hayden’s Ferry Review is now accepting entries for the 2014 Hayden’s Ferry Review Flash-Prose contest. The contest awards $500 and publication in Hayden’s Ferry Review Issue 55 to the winner. Two honorable mentions will receive $250 and publication on the Hayden’s Ferry Review blog. All entries will be considered for publication.
Read More[Check out part one and part two of the interview!]
Jason Mott is a poet and novelist. His first two collections of poetry, We Call this Thing Between us is Love and Hide Behind Me, were published by Main Street Rag in 2009 and 2011, and his first novel, The Returned, was released in August 2013 with Harlequin MIRA and has been adapted for the television show, Resurrection, by Brad Pitt’s production company, Plan B. Mott was nominated for an NAACP Award in the category of “Outstanding Literary Work—Debut Author” in 2014. Resurrection airs on March 9, 2014.
Read MoreSince the start of February, more than 300 Anne Frank-related books have been destroyed in libraries across Tokyo. In an announcement last Friday (2/28), the Israeli embassy's deputy chief of mission stated: “I think everyone understands that it's a single act that doesn't represent Japanese people.” The embassy will donate replacements for the books, including several copies of Anne Frank's diary. Read more here.
Read MoreJason Mott is a poet and novelist. His first two collections of poetry, We Call this Thing Between us is Love and Hide Behind Me, were published by Main Street Rag in 2009 and 2011, and his first novel, The Returned, was released in August 2013 with Harlequin MIRA and has been adapted for the television show, Resurrection, by Brad Pitt’s production company, Plan B. Mott was nominated for an NAACP Award in the category of “Outstanding Literary Work—Debut Author” in 2014. Resurrection airs on March 9, 2014.
Read MoreFor the past two years, Sam Martone has served as our editor, overseeing all aspects of production and wielding his power like a tyrant. Kacie Wheeler, marching up winding mountain paths and tip-toeing across rickety rope bridges, caught up with him in his Editor Fortress to find out what he does in his free time (if he has any), what kinds of stories he hopes to see in the submission queue, and what he’s loved most about working on Hayden’s Ferry Review.
Read MoreWhen I was a baby poet, I would spend hours reading the two volume set of the Norton Anthology of English Literature. I still have the volumes. Between the red covers of those books, in college, I wrote notes and scribbled little pictures (look at the swans, and goblins and flowers!) beside every poem, every play. At the time, it seemed like the pinnacle of poetic achievement would to one day be included in this anthology, and that to enter into it as a poet would simultaneously mean that one had been legitimized and that one had also entered into history itself, even if you only had one lousy, thin page devoted to your poem.
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