Hayden's Ferry Review

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Contributor Spotlight: Michael Meyerhofer

The Gender Revolution, Televised began as a layman’s rumination on gender identity—what it means, what it does, how it starts. I suppose it was also fueled by my pessimistic view that whenever society has an opportunity to learn some great lesson, it typically squanders it, focusing instead on rants and curiosities. That’s certainly been true for pretty much any racial, religious, or gender-based scandal in recent history.

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Beyond HFR: Chronicling The Successes of 2014 Contributors to Hayden’s Ferry Review

Here's a sampling of what our contributors have been up to in 2014. 

Brent Armendinger: The Ghost in Us Was Multiplying

Brent Armendinger, whose piece “Dennis Richmond” was featured in issue 54 of Hayden’s Ferry Review, has recently released a chapbook entitled The Ghost in Us Was Multiplying through Noemi Press. Chronicling narratives about gay life in the age of AIDS, the book balances ethics with queer desire. Poems within have been described as “admirably attentive to sadness, breath, and desire” (Maggie Nelson) and “capable of rendering the incredibly porous and vulnerable state of the desiring mind” (Brian Teare). More information about The “Ghost in Us Was Multiplying” can be found here. Brent has also had his latest poem, “Casual Sex,” published in Bloom Literary Journal, which can be accessed here.

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Lucky Four-Leaf Clover Subscription Drive

Don’t let the St. Patrick’s day spirit end! Follow your good luck all the way to the end of the rainbow! To receive three “leaves” from our upcoming Issue 56, purchase of a sample or back issue today! Feeling lucky? Get four “leaves” with a subscription or resubscription! The offer will last exactly a week, so be sure to order before March 24th to get a sneak preview of our proofs!

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Get Lucky and Be the First to See Four “Leaves” from Issue 56!

Starting this Tuesday, March 17th (St. Patrick’s Day) if you subscribe or resubscribe, we’ll send you a lucky Four-Leaf Clover: four pages from the proof of our upcoming issue. That’s right—you’ll be able to view what we’re working on right now, before anyone else. Buying a sample or back issue will get you three pages, but everyone knows the Four-Leaf Clovers are the lucky ones, so be sure to subscribe before the offer ends next Tuesday (March 24)!

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Contributor Spotlight: Matthew Baker

“HTML”: THE ORIGIN STORY 

 It’s strange to mourn someone you’ve never met. The story isn’t about him, but the story exists because of him, because he died, because the circumstances of his death were so preposterous, and so in that sense you could say that “html” is an elegy for Aaron Swartz. I’d been planning to write an English/HTML hybrid for years, but the project kept getting postponed in favor of other stories, it was always next up, it was never the priority. And then Aaron died.

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I Got a Story to Tell: Narrative Techniques in Hip-Hop and Rap Music Part Two

In the first part of this mini-series, I examined the narrative landscape of Immortal Technique’s “Dance With the Devil,” a Faustian tale of greed and violence. Continuing this theme, I want to examine a piece that is contemporaneous with “Dance With the Devil,” but occupies the opposite end of the hip-hop success spectrum. Where most outside the underground hip-hop scene haven’t been acquainted with Immortal Technique’s work, it’s hard to find someone alive in the U.S. (and indeed, much of the world) who hasn’t at least heard of Eminem. He’s the best-selling artist of the 2000’s, has won fifteen Grammy Awards, and is a mainstay in current popular culture. So, as is often is the question with print books, can material with mass appeal also be literary?

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