Behind the Masthead: Alex McElroy
Happy Cyber Monday! Our FREE, LIMITED TIME gift to you: an interview with international editor Alex McElroy.
Leslie Verdugo
: If asked by someone else, what would you try to do to get out of the question about your position as International Editor at HFR?
Alex McElroy
: I would simply say that I select and edit international work. If pressed on the question, I will artfully avoid answering and put questions to the interviewer.
LV
: What has been the most interesting part of your time as an editor?
AM
: I have been lucky enough to meet a few of our translators one-on-one, connecting with them, sharing a beer. More generally, I love bringing work that is widely read and respected in other countries to an American audience, giving it the recognition it deserves.
LV
: Now as a writer do you have a ritual for when you write?
AM
: I do have one. So I take one of those Nature Valley granola bars—meaning one of the two bars—and eat it while writing and drinking coffee. I always leave a little coffee in the mug when I’m done writing for the day, and the next morning, I pour fresh coffee over the remaining coffee, to create continuity. I don’t wash the mug until I finish a story. But eventually the coffee puddle is chunked with aged granola. Which is gross, and probably why I write a lot of flash fiction.
LV
: Where would your writing go if it grew legs?
AM
: My writing would relocate to the storm drains, where stray cats live. I pass these strays quite often, when I go for a walk; the stray, those rusted storm drains, they’re a source of great inspiration.
LV
: Which writer, past or present would you share a milkshake with?
AM
: Not Hemingway. And maybe—but no. Not Kafka. He “Fletcherized” when he ate, meaning he’d chew each bite about 700 times. I wouldn’t have time for that. I think I would go with Robert Walser, a German modernist poet. I love how he sees the world. He would definitely appreciate the absurdity of two grown men sharing a milkshake. And afterward, I’m sure he’d insist we go for a walk. He was a notorious walker; in fact, one of Walser’s best stories—my personal favorite—is called “The Walk.”
LV
: What was the first story you ever attempted to write?
AM
: As a kid I wrote this comic book series called Undercovers. It was about a boy who was made miniature, for undisclosed reasons, who must navigate the world beneath his covers. He befriends a monster named in Lint. Lint looked nothing like lint. He resembled a stick figure with a Pac-man head. Lint was comic relief, there to make fart jokes. Really, Under Covers was about being a stranger in a strange land—and flatulence.
LV
: So in the show
How I Met Your Mother
Ted Mosby has a particular stubborn idea that he can pull off wear red boots despite the naysayers. Now my question is do you have a pair of red boots metaphorically speaking?
AM
: I think I’m a great singer, but I haven’t seriously sung in front of anyone since I was sixteen. Maybe I’m great—but most likely, I’m tone deaf.
LV
: What gives you strength?
AM
: Bench presses and squats.
LV
: Let me rephrase that. What gives you strength as a writer?
AM
: As a writer, I’m driven by some unhealthy obsession to prove myself through language. But it’s unclear why, or to whom, I need to prove myself.
LV
: How is your kitten?
AM
: Helen? She’s great, but she loves Allegra, my girlfriend, more than she loves me—Helen, to clarify, was my birthday present. The only one-on-one time Helen and I get is in the early morning, when she’s hungry, or in the afternoon before Allegra comes home.
LV
: Where are you going after graduation? What’s next for you?
AM
: Out of Tempe, out of Arizona.
I’m applying for fellowships. I might work on an island off the coast of New Hampshire. I might just go pick olives in Greece.
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Alex McElroy’s work appears in
Indiana Review, Gulf Coast, Diagram, Passages North, Tin House, The Millions,
and more work can be found
.