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Posts tagged Issue 57
Behind the Masthead: Sue Hyon Bae

Our new International Editor, Sue Hyon Bae, discusses Mark Doty, Korean euphemisms, and the lack of seasons in the desert with intern Michael Cohen.

Michael Cohen: You’re the new International Editor at HFR—what does that title mean to you?

Sue Hyon Bae: Being constantly surprised, from the moment I accepted the position and every time I look at the queue and find a new amazing translation. I’d applied for poetry editor initially and was flattered but alarmed to be made international editor. It’s also a lot of responsibility; since we don’t have international readers, my fellow international editor Aria and I are solely in charge of choosing which translations to publish, without any third opinions.

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Behind the Masthead: Dustin Pearson

Our new Managing Editor, Dustin Pearson, discusses adult-like things, sushi rice, and the most important thing he’s discovered since joining HFR (himself) with intern Michael Cohen.

Michael Cohen: You’re the new Managing Editor at HFR—what does that title mean to you?

Dustin Pearson: Well, right now it means doing all the correspondence between our contributors. So the way that our process works is: the genre editors, they’ll go through the material—after it’s been passed up from the first, second, and third readers—and they’ll go through it, basically decide which pieces that they want, and then they’ll accept the piece initially.

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Behind the Masthead: Kevin Lichty

Our new special projects editor, Kevin Lichty, discusses top secret plans, old radios, and Toy Fox Terriers.

Shelby Heinrich: Special projects editor sounds like a very interesting and important title. What exactly does this title entail? 

Kevin Lichty: The special projects editor is job made and remade every year. Essentially, any idea that an editor has (as an individual or as a collective "editors") that falls outside of the traditional pages of HFR and everyone loves, it is the special project editors job to make that idea happen. 

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Call For Submissions

Borderlands are venues for encounter, exchange, and conflict. They encompass not only physical or legislative borders, but also abstract spaces—psychological, cultural, social, and natural. What happens in the limbic, the transitional, and the in between? What is gained and what is lost in the act of defining boundaries? What questions does the space raise of race, class, gender, citizenship, and identity? Hayden’s Ferry Review invites writers and artists to interpret the theme as they like. We’d prefer interpretations of a personal nature, rather than general, but mostly we just want strong, passionate pieces that excite and challenge.

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