Founded in 1986, Hayden’s Ferry Review is a semi-annual, international literary journal edited by the MFA students at Arizona State University under the guidance of a full-time editor in chief. HFR is located in Tempe, AZ, on ancestral territories of Indigenous peoples, including Akimel O'odham (Pima) and Pee Posh (Maricopa) Indian Communities. The journal’s namesake is Tempe’s prior name, Hayden’s Ferry, which was named after a ferry service that operated on the Salt River by Charles Trumbull Hayden. Hayden’s Ferry was renamed Tempe, in part, to save the postmaster space and ink needed to mark Hayden’s Ferry on mail. Since 2023, the journal has been produced by graduate and undergraduate students in the HFR literary editing and publishing course and in the HFR internship program.
We publish poetry, fiction, nonfiction, translation, and art. A small portion of the publication is solicited from established authors, while the majority of our contributors are chosen from the thousands of manuscripts the journal receives each year. In addition to two yearly print issues, HFR publishes online-exclusive web content on The Dock and on the HFR Blog, including web issues, interviews, book reviews, and more. Our sister project, the Thousand Languages Project, is an ever-developing database featuring translations of the work originally appearing in HFR transformed from its original English into manifold world languages. Subscribe to our Substack to stay in the know about our calls for submissions, events, and more!
Work from Hayden’s Ferry Review has been included in the Pushcart Prize Anthology, Best American Poetry, and Best New Poets. HFR has notable pieces in Best American Short Stories, Best American Essays, Best American Mystery Stories, and the Pushcart Prize Anthology. To find out more about anthologies that have included pieces from Hayden’s Ferry Review, please view our in-progress list (we’re working on updating this soon).
Among the writers and artists who’ve found a home in Hayden’s Ferry Review are Kaveh Akbar, Sarah Ghazal Ali, Matt Bell, Kimberly Blaeser, TC Boyle, Raymond Carver, Lydia Davis, Rita Dove, Norman Dubie, Stephen Dunn, Matthew Gavin Frank, Tess Gallagher, Beckian Goldberg, Raquel Gutiérrez, Joseph Heller, Brenda Hillman, B.J. Hollars, Pam Houston, Ken Kesey, Peter LaBerge, Mike Meginnis, Haruki Murakami, Gloria Naylor, Dianne Nelson, Alice Notley, William Olsen, Benjamin Percy, Joy Priest, George Saunders, Jeannine Savard, sam sax, Naomi Shihab Nye, Peggy Shumaker, Jane Smiley, Gary Soto, John Updike, Anne Valente, and Jenny Xie.
Janet Biehl, Tangled Up
Our Mission
HFR looks for well-crafted work that takes risks, challenges readers, and engages us emotionally and artistically. The makeup of our editorial team changes every year, and we pride ourselves on our values of inclusivity and multiplicity, seeking to uplift emerging writers and artists. We are interested in creative work that takes risks with language and form, work that challenges boundaries/borders and systems of power, work that examines historically marginalized experiences, as well as work that identifies as hybrid or genre-nonconforming. As a diverse team of editors, we are invested in highlighting voices traditionally underrepresented in the literary landscape, including writers and artists in BIPOC, LGBTQIA+, TGNC, disabled, and economically marginalized communities. Through our publications and events, we aim to showcase a variety of stylistic and artistic modes.
Land Acknowledgement
Hayden’s Ferry Review and ASU’s four campuses are situated on the unceded ancestral lands of the Akimel O’odham (Pima), Pee Posh (Maricopa), and many other Indigenous peoples. We recognize the original stewards of this land and honor those living here today, including the Gila River Indian Community, the Salt River Pima-Maricopa Indian Community, the Pascua Yaqui Tribe, and the Fort McDowell Yavapai Nation. Furthermore, we recognize that we would not be here today if not for the American occupation of O’odham and Piipaash lands, beginning with the 1854 Gadsden Purchase, which caused a rapidly growing settler population that instigated the “Time of Famine.” We know that a land acknowledgment without action is not sufficient and are making efforts toward equitable practices most immediately by providing a number of free submissions for underrepresented writers for each print issue, keeping our submissions free for web issues, and celebrating Indigenous authors with our 2023 Indigenous Poets Prize.
Editors
Susan Nguyen,
Editor-in-Chief
Susan Nguyen is the author of Dear Diaspora (2021), which won the Prairie Schooner Book Prize, an Outstanding Achivement Award form the Association of Asian American Studies, a New Mexico-Arizona Book Award, and was a finalist for the Julie Suk Award. She is the recipient of fellowships from the Vermont Studio Center, Virginia Center for the Creative Arts, Arizona Commission on the Arts, and elsewhere. A Kundiman Fellow, she is a member of the She Who Has No Master(s) collective and is an alum of ASU’s MFA program.
Chiara Naomi Kaufman,
Managing Editor
Chiara Naomi Kaufman is a 2025 Lambda Literary Fellow whose work has appeared in The Literary Review, Necessary Fiction, and is forthcoming in the 2025 Emerge Anthology. Their work has been long-listed for The London Magazine's Short Story Prize and supported by The Key West Literary Seminar, Wesleyan University's Hamilton Prize, and the Virginia G. Piper Center.
Hannah Palmisano,
Fiction Editor
Hannah Palmisano is pursuing her MFA in Fiction at Arizona State University. She reads and writes across genres, with particular interests in speculative fiction, mystery, and mythology. She received an Honorable Mention in Fiction for the 2026 Swarthout Awards, and her work appears in Tempe Writes: An Anthology, Volume 12. She often writes late into the night, accompanied by her guinea pigs, Bambi and Blaze.
Isabel Lanzetta,
Poetry Editor
Isabel Lanzetta | she/her | is a poet whose work has appeared or is forthcoming in Bicoastal Review, Hayden’s Ferry Review, Leviathan, and Convergence: Young Authors of Arizona, among others. Her poetry has been supported by the Virginia G. Piper Center for Creative Writing and the Lighthouse Writers Workshop. Isabel is a recipient of the Mabelle A. Lyon Poetry Award and a two-time award winner of the Tucson Festival of Books Literary Award. When she’s not writing, she’s likely to change out of her heels and take a long walk with her dog, ABBA. You can find her on IG @isalanzetta.
Sarah Scarcliff,
Nonfiction Editor
Sarah Scarcliff is an MFA candidate studying poetry at Arizona State University. She is the author of the children's book Pitanga, a story about frogs, deforestation, and what humans can do to mitigate the effects of climate change. Her work can be found in Obindo Magazine, Spectrum Literary Journal, and MSU Roadrunner Review. She is from Birmingham, Alabama.
Tsong Chang ,
Translations Editor
Tsong Chang (She/They) is a fiction writer, and literary translator. You can find their translations in Asymptote and Poetry International Online, and their short story in Epiphany: A Literary Journal. Pursuing an MFA in Fiction at Arizona State University, they are the translations editor at Hayden’s Ferry Review. They live in Mesa, Arizona.
Zêdan Xelef Almito,
Art & Web Editor
Argent Martinez Brito,
Social Media Manager
Argent Martinez Brito is a poet, filmmaker, and painter from the Southwest Side of Chicago. She's received the Arizona Artists Opportunity Grant, two Amiri Baraka Scholarships from Naropa University, the Frances Mason Harris '26 Prize, the Kim Ann Arstark Memorial Award, a Virginia G. Piper Center Grant, and a CantoMundo fellowship. She is currently researching Queer Utopianism.
Associate Editors
Fin Farmer
Maria Lata
Paige Maultsby
Taylor Montano
Josephine O’Connor
Eva Tanderup
Editorial Assistants & Community Readers
Joshua Althouse
Joshua Althouse is a fourth-year undergraduate student working on a bachelor's degree in English with a concentration in Creative Writing. He has a great passion for literature and table-top roleplaying games.
Cade Anderson
Cade Anderson is a fourth-year undergraduate student pursuing a degree in Narrative Studies. He served in the US Army before coming to ASU. He was raised in Arizona and has been a Sun Devil his entire life. Captivated in his childhood by books that were meant for children but stretched themes for adults, he is trying to capture that same kind of fiction in his own work. He wants to write stories that will be true for our children and true for our parents.
Olivia Heuser
Olivia Heuser is an aspiring writer/filmmaker, finishing up her BA at Arizona State University in Film and Media Studies with a minor in Digital Audiences. An avid media maker, you can usually find her painting, drawing, or writing / shooting short films with her partner in business and life. When she's not creating, she's either reading, gardening, baking sourdough and sweet treats, or watching movies and lounging around with her partner and 3 cats.
Gib Manrique
Gib Manrique is a fourth-year undergraduate student pursuing a degree in Journalism and Mass Communication. He is a queer person of color and specializes in narrative reporting and magazine writing. He also has worked in radio and podcasting. Outside of academics, he is an intern at Wasted Ink Zine Distro and active in the poetry/creative writing community in Phoenix, Arizona.
Clem Marquez
Clem Marquez is a third-year undergraduate student currently pursing a Bachelor's degree in English Creative Writing with a minor in Spanish Literature. She is passionate about storytelling in literature, TV/movies, and video games. When she is not reading, she can be found drinking tea with her friends.
Bri Martin
Bri Martin is an aspiring editor currently pursuing a master’s degree in English studies, and she has a genuine love for literature and language. She hopes to work in publishing while also pursuing a career as an English professor. She is drawn to the editorial process for its crucial role in developing clear, thoughtful, and well-crafted writing. When she is not reading or revising, Bri enjoys writing, traveling, and spending time with her family, all of which influence her perspective and creative approach. She is eager to continue growing in spaces that value strong storytelling and authentic craft.
Cherry Mascarenas
Cherry Mascarenas is a writer currently attending ASU. Mascarenas writes works of fiction focusing on both surrealism and realism to tell stories of dysphoria and nightmares. Outside of writing, Cherry enjoys making experimental films with friends and collaborators as well as late night dancing and concerts. Music, Films, Poetry, The Arts, and Dreams are all an integral part of her existence.
Maggie Sepeda
Maggie Sepeda is originally from Taos, New Mexico, but spent much of her twenties working and traveling. She has lived all over the world, including New Zealand, Australia, Bolivia, and Alaska. She returned to school in 2023 and got her AA in English, Creative Writing before transferring to ASU. She is currently a Journalism and Mass Communications major, and is also studying French. Outside of school, Maggie works at a dog groomer. She loves literature, traveling, cooking, and spending time outdoors with her husband and their dog.
Audrey Treon
Audrey is a third-year English student with a focus on fiction and fashion journalism. Outside of her studies, Audrey is a true lover of all artistic endeavors. She can often be found reading and writing, decorating her apartment, vintage shopping, and playing with her dogs.
Zhongxing Zeng
Zhongxing Zeng holds a PhD in English Literature from Arizona State University and currently teaches first-year composition courses at Sam Houston State University. He is an English-Chinese literary translator and a singer-songwriter, releasing music on Spotify and YouTube Music under the artist name 曾寅.
With special thanks to our partners…
The Thousand Languages Project is a multilingual translation database exploring the art and scholarship of literary translation. The project will feature creative and critical work drawn from the publishing catalogue of Hayden's Ferry Review.