Legacy Work
Where there’s a middle I’m sure to let myself wallow in it. Where there’s a room
I create a childhood in it, where there’s a hand I cover my breast with it. Where
there’s a scarf I carry the load heavy with it, where there’s an ache I slide my
thumb over it. Where there’s grief I smoke a storm over it, where there’s fucking
I make sure there’s no rage in it. Where there’s a father I very cleanly stumble
into it, where there’s a fist I want to look good in it. Where there’s a body I learn
to disappear in it. Where there’s a heart I’m forced to confuse the mirror with
it. Where there’s a portrait I move towards destroying it. Where there’s a woman
disrobed I make sure to tend to it, where there’s a paper bag I bend to my knees
to lap at it. Where a world feels anew I scramble to live in it, and where a love
feels finite I try to memorize it. Where my mother collapses I insist on being
born through it. Where my lovers are tired I dig a hole big enough to cater to
it, where they shoulder their dreams I tell them I’ll meet them in it. Where I tell
them I love them I make a mystical rapture of it.
Southern Noir No. 6 by Cliff Tisdell
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BRITTANY ADAMES is a writer and editor based in New York. Her work has been nominated for the Pushcart Prize and featured in The Brooklyn Rail, Hobart Pulp, Palette Poetry, and elsewhere. She has an MFA in poetry from Brooklyn College.